{"id":832,"date":"2026-02-28T19:29:00","date_gmt":"2026-02-28T19:29:00","guid":{"rendered":"https:\/\/www.fossecommune.com\/?p=832"},"modified":"2026-03-28T19:32:19","modified_gmt":"2026-03-28T19:32:19","slug":"tinals-2026-a-nimes-la-prog-est-complete-avec-sixteen-horsepower-en-tete-de-gondole-et-ca-va-gratter","status":"publish","type":"post","link":"https:\/\/www.fossecommune.com\/index.php\/2026\/02\/28\/tinals-2026-a-nimes-la-prog-est-complete-avec-sixteen-horsepower-en-tete-de-gondole-et-ca-va-gratter\/","title":{"rendered":"TINALS 2026 \u00c0 N\u00ceMES :LA PROG EST COMPL\u00c8TE AVEC SIXTEEN HORSEPOWER EN T\u00caTE DE GONDOLE ET \u00c7A VA GRATTER"},"content":{"rendered":"<section class=\"article-content\">\n<h2><\/h2>\n<p>\u00c7a y est. La programmation est annonc\u00e9e dans son ensemble. Plus de \u00ab last but not least \u00bb. Plus de suspense de fin de bande-annonce. Tout est l\u00e0. TINALS reste une valeur s\u00fbre en France pour la musique alternative. Et \u00e7a d\u00e9bo\u00eete.<\/p>\n<p>Cette prog promet des frottements, pas du confort. Model\/Actriz te colle au mur. Meryl Streek te parle sans filtre. Sixteen Horsepower p\u00e8se. Knives sonne l\u2019alarme. Chalk serre les nerfs. Fat Dog fout le bordel. La S\u00e9curit\u00e9 tranche net. Minimal. Politique. Sans th\u00e9\u00e2tre. Iguana Death Cult arrive de travers et \u00e7a groove sale. Bleech 9:3 tient la tension \u00e0 bout de bras. Girl In The Year Above densifie l\u2019air. Bar Italia flotte mais \u00e7a gratte dessous. Black Country, New Road pense fort. Jenny Beth cogne.<\/p>\n<p>En gros, cette affiche accepte la cohabitation entre tension, ironie, foi, col\u00e8re, vuln\u00e9rabilit\u00e9 et groove sans chercher \u00e0 lisser le r\u00e9cit. \u00c7a ne cherche pas \u00e0 plaire \u00e0 tout le monde. \u00c7a tient debout. Et \u00e7a suffit largement quand les gros festivals g\u00e9n\u00e9ralistes ne prennent plus aucun risque.<\/p>\n<h3>LA PROGRAMMATION<\/h3>\n<p>Voici ce que j\u2019ai pu trouver. J\u2019\u00e9coute. Je regarde. Que les gardiens du temple aillent se faire cuire ce que je pense si c\u2019est pas orthodoxe !<\/p>\n<ul>\n<li><strong>Sixteen Horsepower<\/strong> (US) : gothic americana, folk biblique, feu et damnation. Le blues qui a lu la Bible trop pr\u00e8s de la bougie.<\/li>\n<li><strong>Alice Phoebe Lou<\/strong> (ZA) : folk indie sensible, voix douce, intimit\u00e9 r\u00e9elle, jamais mi\u00e8vre.<\/li>\n<li><strong>Augusta<\/strong> (UK\/FR) : pop alternative hybride, \u00e9criture sensible, format libre.<\/li>\n<li><strong>Avalon Bloom<\/strong> (UK) : indie rock lumineux mais pas na\u00eff, m\u00e9lodies claires, \u00e9nergie nerveuse sous surface douce, songwriting frontal sans grandiloquence.<\/li>\n<li><strong>Bandit Bandit<\/strong> (FR) : rock garage nerveux, riffs secs, \u00e9nergie frontale, z\u00e9ro pose.<\/li>\n<li><strong>Bar Italia<\/strong> (UK) : indie rock lo-fi britannique, nonchalant en surface, tension permanente sous anesth\u00e9sie apparente.<\/li>\n<li><strong>Ben Kweller<\/strong> (US) : indie rock US, songwriting direct, sinc\u00e9rit\u00e9 sans cynisme.<\/li>\n<li><strong>Black Country, New Road<\/strong> (UK) : art rock exigeant, \u00e9criture collective, intensit\u00e9 c\u00e9r\u00e9brale et \u00e9motionnelle.<\/li>\n<li><strong>Bleech 9:3<\/strong> (UK) : rock alternatif tendu, riffs serr\u00e9s, urgence contenue, quelque part entre garage contemporain et m\u00e9lancolie \u00e9lectrique.<\/li>\n<li><strong>Body Horror<\/strong> (UK) : punk noise contemporain. Moche. Rapide. M\u00e9chant.<\/li>\n<li><strong>Brigitte Calls Me Baby<\/strong> (US) : indie rock romantique, posture soign\u00e9e, noir et blanc mental.<\/li>\n<li><strong>Cardinals<\/strong> (IE) : indie rock irlandais sombre, tension contenue, m\u00e9lancolie active.<\/li>\n<li><strong>Chalk<\/strong> (IE) : post-punk tendu, industriel par endroits, Irlande nerveuse, actuelle, pas nostalgique.<\/li>\n<li><strong>Dressed Like Boys<\/strong> (BE) : pop alternative queer, \u00e9criture intime, m\u00e9lodies fines, vuln\u00e9rabilit\u00e9 assum\u00e9e sans pathos, \u00e9l\u00e9gance fragile mais lucide.<\/li>\n<li><strong>Fat Dog<\/strong> (UK) : punk \u00e9lectronique d\u00e9g\u00e9n\u00e9r\u00e9, rave sale, humour noir, \u00e9nergie ing\u00e9rable.<\/li>\n<li><strong>Girl In The Year Above<\/strong> (UK\/IE) : post-punk \/ indie sombre, atmosph\u00e8res denses, tension m\u00e9lodique, regard oblique sur l\u2019\u00e9poque, intensit\u00e9 sans posture.<\/li>\n<li><strong>Iguana Death Cult<\/strong> (NL) : garage punk tordu, psych\u00e9 sale, groove de travers, \u00e9nergie d\u00e9glingu\u00e9e.<\/li>\n<li><strong>Jenny Beth<\/strong> (FR) : rock industriel \/ post-punk abrasif, col\u00e8re politique, tension physique, performance frontale.<\/li>\n<li><strong>Knives<\/strong> (UK) : noise punk ultra tendu, urgence totale, brutalit\u00e9 ma\u00eetris\u00e9e.<\/li>\n<li><strong>La S\u00e9curit\u00e9<\/strong> (CA) : post-punk minimaliste francophone, froideur ironique, rigueur rythmique.<\/li>\n<li><strong>Levitation Room<\/strong> (US) : psych rock californien, nappes planantes, groove lent, soleil sous acide.<\/li>\n<li><strong>M.A.O. Cormontreuil<\/strong> (FR) : rock alternatif d\u00e9viant, DIY, \u00e9nergie bord\u00e9lique assum\u00e9e.<\/li>\n<li><strong>Men I Trust<\/strong> (CA) : indie pop feutr\u00e9e, groove doux, m\u00e9lancolie propre, jamais anesth\u00e9siante.<\/li>\n<li><strong>Meryl Streek<\/strong> (IE) : post-punk parl\u00e9, critique sociale, ironie acide, tension verbale permanente.<\/li>\n<li><strong>Model\/Actriz<\/strong> (US) : noise rock physique, tension corporelle, malaise assum\u00e9, performance totale.<\/li>\n<li><strong>NewDad<\/strong> (IE) : indie rock sombre, atmosph\u00e8res feutr\u00e9es, fragilit\u00e9 tendue.<\/li>\n<li><strong>Quickly, Quickly<\/strong> (US) : indie pop introspective, textures fines, m\u00e9lancolie douce mais jamais vide.<\/li>\n<li><strong>Shortstraw<\/strong> (ZA) : indie rock \u00e9nergique, m\u00e9lodique, lumineux sans na\u00efvet\u00e9.<\/li>\n<li><strong>The Sophs<\/strong> (US) : indie rock anguleux, ironique, c\u00e9r\u00e9bral, malaise l\u00e9ger mais assum\u00e9.<\/li>\n<li><strong>Yerai Cort\u00e9s<\/strong> (ES) : flamenco contemporain, guitare virtuose, tradition vivante, pas mus\u00e9ifi\u00e9e.<\/li>\n<\/ul>\n<h3>Conclusion fosse<\/h3>\n<p>Voil\u00e0.<\/p>\n<p>La prog est l\u00e0. Compl\u00e8te. Dense. Coh\u00e9rente.<\/p>\n<p>Pas parfaite, mais pens\u00e9e. Et surtout : tenue.<\/p>\n<p>Juste une ligne. Et la musique qui suit.<\/p>\n<p>\u00c0 N\u00eemes, en 2026, on ne viendra pas s\u2019asseoir. On viendra se tenir droit.<\/p>\n<p>Et \u00e7a, aujourd\u2019hui, c\u2019est d\u00e9j\u00e0 \u00e9norme.<\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>\u00c7a y est. La programmation est annonc\u00e9e dans son ensemble. Plus de \u00ab last but not least \u00bb. Plus de suspense de fin de bande-annonce. Tout est l\u00e0. TINALS reste une valeur s\u00fbre en France pour la musique alternative. Et \u00e7a d\u00e9bo\u00eete. Cette prog promet des frottements, pas du confort. Model\/Actriz te colle au mur. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":833,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,40],"tags":[532,523,530,517,529,522,518,515,531,526,524,534,533,521,525,528,527,482,519,520,516],"class_list":["post-832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-descente-de-fosse","category-festival","tag-bar-italia-groupe","tag-black-country-new-road","tag-chalk-groupe","tag-concert-nimes-2026","tag-fat-dog-groupe","tag-festival-indie-france","tag-festival-musique-alternative","tag-festival-nimes","tag-iguana-death-cult","tag-indie-rock-festival","tag-jenny-beth","tag-live-festival-france","tag-men-i-trust","tag-meryl-streek","tag-model-actriz","tag-post-punk-festival","tag-programmation-festival-nimes","tag-scene-alternative-france","tag-sixteen-horsepower","tag-this-is-not-a-love-song","tag-tinals-festival"],"_links":{"self":[{"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/posts\/832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/comments?post=832"}],"version-history":[{"count":1,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/posts\/832\/revisions"}],"predecessor-version":[{"id":834,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/posts\/832\/revisions\/834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/media\/833"}],"wp:attachment":[{"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/media?parent=832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/categories?post=832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fossecommune.com\/index.php\/wp-json\/wp\/v2\/tags?post=832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}