{"id":531,"date":"2026-01-08T19:21:00","date_gmt":"2026-01-08T19:21:00","guid":{"rendered":"https:\/\/www.fossecommune.com\/?p=531"},"modified":"2026-03-18T11:28:58","modified_gmt":"2026-03-18T11:28:58","slug":"archives-de-yves-5-soiree-en-chaussettes-vert-epinard-et-nuit-3e-generation","status":"publish","type":"post","link":"https:\/\/www.fossecommune.com\/index.php\/2026\/01\/08\/archives-de-yves-5-soiree-en-chaussettes-vert-epinard-et-nuit-3e-generation\/","title":{"rendered":"SOIR\u00c9E EN CHAUSSETTES VERT \u00c9PINARD ET NUIT 3e G\u00c9N\u00c9RATION"},"content":{"rendered":"

(Paris, 8 janvier 1980 : le Palace, quand la France inventait quelque chose sans le savoir et que Yves choisissait la fosse au d\u00e9triment de la dignit\u00e9)<\/em><\/p>\n

Paris. 8 janvier 1980. C\u2019\u00e9tait un mardi. 46 ans jour pour jour.<\/p>\n

Le Palace. Temple du spectacle, du m\u00e9lange, du bordel \u00e9l\u00e9gant et des futurs qui se cherchent.<\/p>\n

Ce soir-l\u00e0, l\u2019affiche dit :<\/p>\n

Casino Music<\/strong>
\nMarquis de Sade<\/strong>
\n\u00c9dith Nylon<\/strong><\/p>\n

Trois groupes. Trois esth\u00e9tiques.<\/p>\n

Un m\u00eame moment charni\u00e8re : la Nuit IIIe G\u00e9n\u00e9ration<\/strong>.<\/p>\n

La France post-punk est en train de na\u00eetre, sans slogan, sans recul, sans dossier de presse.<\/p>\n

Mais Yves, lui, n\u2019est pas venu pour assister \u00e0 l\u2019Histoire.<\/p>\n

Il est venu pour endurer sans le savoir.<\/strong><\/p>\n

LA SC\u00c8NE D\u2019OUVERTURE MYTHOLOGIQUE<\/h3>\n

Avant la musique, il y a le cin\u00e9ma.<\/p>\n

Plan\u00e8te Interdite.<\/em><\/p>\n

Parce qu\u2019\u00e0 l\u2019\u00e9poque, tu pouvais encore voir un film de SF culte avant un concert.<\/p>\n

Parce que le futur se pr\u00e9parait en double s\u00e9ance.<\/p>\n

Yves est avec Patrick et Marsu.<\/p>\n

Ils parlent. Ils vivent.<\/p>\n

Et l\u00e0, une voix derri\u00e8re lui :<\/p>\n

\u00ab Tu chausses du combien ? \u00bb<\/em><\/p>\n

Yves, poli, na\u00eff, vivant :<\/p>\n

\u00ab Du 9 en taille anglaise. \u00bb<\/em><\/p>\n

Erreur fatale.<\/strong><\/p>\n

Coup de boule. Arcade ouverte. Sang.<\/p>\n

Les creepers Shelley bleues disparaissent dans la nuit parisienne.<\/p>\n

Et Yves fait un choix h\u00e9ro\u00efque. Et con.<\/p>\n

Il d\u00e9cide d\u2019entrer au Palace en chaussettes vert \u00e9pinard.<\/strong><\/p>\n

PENDANT CE TEMPS, SUR SC\u00c8NE\u2026<\/h3>\n

Casino Music<\/h3>\n

Casino Music ouvre la soir\u00e9e.<\/p>\n

Et Yves est honn\u00eate : il conna\u00eet \u00e0 peine.<\/p>\n

C\u2019est le seul groupe de l\u2019affiche dont il n\u2019a aucun vinyle.<\/p>\n

Ajoute \u00e0 \u00e7a un \u00e9tat semi-groggy, une arcade ouverte, et Anne Francis encore bien install\u00e9e dans la t\u00eate apr\u00e8s Plan\u00e8te Interdite<\/em>\u2026<\/p>\n

Autant dire que quand Casino Music invite \u00e0 \u00ab faire le proton \u00bb<\/em> en ouverture de leur LP, Yves, lui, ne fait rien du tout.<\/p>\n

Souvenirs : n\u00e9ant.<\/strong><\/p>\n

\u00c9cran blanc.<\/p>\n

Black-out post-cin\u00e9ma, pr\u00e9-chaos.<\/p>\n

Marquis de Sade<\/h3>\n

(oui, ils ont jou\u00e9 avant \u00c9dith Nylon, lapsus r\u00e9v\u00e9lateur assum\u00e9)<\/em><\/p>\n

Marquis de Sade, en revanche, Yves est d\u00e9j\u00e0 dedans.<\/p>\n

Il \u00e9coute Dantzig Twist<\/em> en boucle depuis sa sortie en octobre 1979, en alternance avec Unknown Pleasures<\/em> sorti quatre mois plus t\u00f4t.<\/p>\n

Il a m\u00eame le premier single, avec la version primitive de Henry<\/em>.<\/p>\n

Avec le recul, Yves reste frapp\u00e9 par une chose : la proximit\u00e9 troublante entre la gestuelle sc\u00e9nique de Philippe Pascal et celle d\u2019Ian Curtis.<\/p>\n

Deux groupes cultes pour des raisons diff\u00e9rentes, mais une m\u00eame fi\u00e8vre corporelle, quelque chose de commun, de tendu, d\u2019habit\u00e9.<\/p>\n

Le set est fi\u00e9vreux, intense, \u00e0 l\u2019image de Philippe Pascal.<\/p>\n

Skin Disease<\/strong> s\u2019impose comme un v\u00e9ritable \u00e9tendard post-punk.<\/p>\n

Et d\u00e9tail d\u00e9licieux : Yves les reverra deux mois plus tard \u00e0 Amiens, et mangera avec eux.<\/p>\n

La sc\u00e8ne, la vraie, se prolonge toujours \u00e0 table.<\/strong><\/p>\n

\u00c9dith Nylon<\/h3>\n

\u00c9dith Nylon arrive alors que la fatigue commence s\u00e9rieusement \u00e0 s\u2019installer.<\/p>\n

Mais Yves s\u2019accroche.<\/p>\n

Parce qu\u2019il a le premier LP.<\/p>\n

Et surtout parce qu\u2019il aime beaucoup le single qui suivra : Femmes sous cellophane<\/em>.<\/p>\n

L\u00e0, on passe \u00e0 un punk \u00e0 la fran\u00e7aise, cousin de Starshooter, mais en version plus parisienne, plus bourgeoise, plus stylis\u00e9e.<\/p>\n

Ce qui marque surtout Yves, c\u2019est Myl\u00e8ne Khaski<\/strong>.<\/p>\n

Une vraie frontwoman.<\/p>\n

Rare \u00e0 l\u2019\u00e9poque, dans un milieu encore tr\u00e8s masculin.<\/p>\n

Souvenir d\u2019un set nerveux, tendu, et profond\u00e9ment parisien.<\/p>\n

YVES, \u00c9TAT DES LIEUX<\/h3>\n

Arcade ouverte.<\/p>\n

Manche en guise de compresse.<\/p>\n

Chaussettes improbables.<\/p>\n

Z\u00e9ro plainte.<\/p>\n

Z\u00e9ro sortie.<\/p>\n

Il reste. Toute la soir\u00e9e.<\/strong><\/p>\n

Parce qu\u2019on ne quitte pas un concert pour un d\u00e9tail comme :<\/p>\n

    \n
  • saigner du visage<\/li>\n
  • \u00eatre vol\u00e9<\/li>\n
  • \u00eatre ridicule<\/li>\n
  • \u00eatre vivant<\/li>\n<\/ul>\n

    Le punk n\u2019\u00e9tait pas un style.<\/p>\n

    C\u2019\u00e9tait une capacit\u00e9 \u00e0 rester.<\/strong><\/p>\n

    Et des ann\u00e9es plus tard, Yves pose LA question :<\/p>\n

    \u00ab Sinon, d\u2019apr\u00e8s vous, lequel des trois groupes j\u2019ai le plus appr\u00e9ci\u00e9 ce soir-l\u00e0 ? \ud83d\ude09 \u00bb<\/em><\/p>\n

    \u00c0 ce stade, je tente une r\u00e9ponse \u00e9vidente : celui pendant lequel il a oubli\u00e9 ses chaussettes vert \u00e9pinard.<\/p>\n

    Voil\u00e0 le seul crit\u00e8re valable.<\/p>\n

    Le reste, c\u2019est de l\u2019analyse a posteriori.<\/p>\n","protected":false},"excerpt":{"rendered":"

    (Paris, 8 janvier 1980 : le Palace, quand la France inventait quelque chose sans le savoir et que Yves choisissait la fosse au d\u00e9triment de la dignit\u00e9) Paris. 8 janvier 1980. C\u2019\u00e9tait un mardi. 46 ans jour pour jour. Le Palace. Temple du spectacle, du m\u00e9lange, du bordel \u00e9l\u00e9gant et des futurs qui se cherchent. […]<\/p>\n","protected":false},"author":1,"featured_media":532,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,102],"tags":[84,150,104],"class_list":["post-531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives-de-fosse","category-archives-de-yves","tag-archives","tag-paris","tag-yves-royer"],"yoast_head":"\nSOIR\u00c9E EN CHAUSSETTES VERT \u00c9PINARD ET NUIT 3e G\u00c9N\u00c9RATION - Fosse Commune<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fossecommune.com\/index.php\/2026\/01\/08\/archives-de-yves-5-soiree-en-chaussettes-vert-epinard-et-nuit-3e-generation\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SOIR\u00c9E EN CHAUSSETTES VERT \u00c9PINARD ET NUIT 3e G\u00c9N\u00c9RATION - Fosse Commune\" \/>\n<meta property=\"og:description\" content=\"(Paris, 8 janvier 1980 : le Palace, quand la France inventait quelque chose sans le savoir et que Yves choisissait la fosse au d\u00e9triment de la dignit\u00e9) Paris. 8 janvier 1980. C\u2019\u00e9tait un mardi. 46 ans jour pour jour. Le Palace. Temple du spectacle, du m\u00e9lange, du bordel \u00e9l\u00e9gant et des futurs qui se cherchent. 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